FEATURE
FICTION
A.L.F.: ANIMAL LIBERATION FRONT
by Jerome Lescure – 94min, fiction – France
What happened, that 24th of December ? This is what officer Chartier
wants ton find out. To understand, he will have to go back 48 hours
earlier: Franck's Christmas Eve.
Franck:
insignificant drama-teacher, Franck belongs to a nameless
and
leaderless commando: the Animal Liberation Front. These
characters
are bound by a limitless empathy towards mistreated
animals,
and will have to show courage to complete a mission they have been
preparing for months. Their goal: to free dogs, condemned to be sold
to laboratories for the
purpose
of live experiments. Their philosophy: when something has
gone
beyond the boundaries of reason, you have to forget about
what's
legal, and care about what seems right. During the
questioning,
Franck understands that one of his fellows betrayed him. A unique
thriller with a powerful message.
APARTMENT IN ATHENS
by Ruggero Dipoda – 100min,
fiction – Italy
This very powerful film is set in 1942 Athens. A war ravaged Greek
family is forced to host a high ranking Nazi officer. Their home,
already weakened by the death of their eldest son and the
ever-present pangs of hunger, is thrown into upheaval as they try to
satisfy the exacting demands of their unwelcome border. The
officer's cruelty escalates while their adolescent daughter,
intoxicated by the power of a man in uniform, walks a fine line
between service and servitude. With outstanding acting and
cinematography the film portrays the rarely explored details of life
under occupation, leaving us to question the strength of our own
morality under such circumstances.
BIBILOTHEQUE PASCAL
by Hajdu Szaboles – 96min, fiction –
Hungary
In order to regain custody of her daughter, whom she left in the
care of her fortune-telling aunt, Mona must tell a social worker her
story. The tale she spins---and the movie we watch---is a wild,
surreal adventure in which people are able to project and enter each
other's dreams, and our heroine is sold into slavery and lands in a
swank, debauched Liverpool brothel where the patrons enact their
literary/sexual fantasies with Lolita, St. Joan, and Desdemona.
Under the seductive surface is a very human story of a woman who
uses fantasy to cushion the pain of life.
Los Angeles Film Festival
BORN AND RAISED
by
Joshua Dragge & Nick Loritsch – 96min, fiction –
USA
Young Bubbs was born and raised in a seaside Florida panhandle and
has had little experience in the world. His fed-up and restless
girlfriend Jess announces she is dumping him to run off to Tampa
with a new flame. All he knows of the outside world comes from the
well-to-do boaters who come to the marina for pit stops. One of
these is his grandfather Frank, a rascally sort who has been
estranged for many years from Bubb’s mother, whom he abandoned when
she was a young girl. When a rift opens between Bubbs and his
long-time best friend Kenny over Bubb’s new-found romantic interest
in Kenny’s sister, Corey, Bubbs starts to think that getting out of
this small town is not such a bad idea after all. Well scripted and
acted.
CHASING A STAR
by Avi Malka – 90min, fiction – Israel
Adam,
an unemployed actor, is waiting for his big break although all his
agent has found for him is an audition for the role of a washing
machine. Much to his surprise he finds the role has gone to
superstar Moshe Ivgi. Shir
is the best soccer player that anyone has seen in years. The final
game of the season is taking place the day after tomorrow. She
simply has to succeed although it is common knowledge that, at the
moment of truth, she will probably panic and literally wet her
pants! Victor is an
ex-con who has just been released from jail. He decides to
pack up his stashed millions, and his girlfriend Lena get as far
away as possible and turn over a new leaf. However, his past
reemerges, causing him to change his plans at every turn.
Chasing a Star (Who
Kidnapped Moshe Ivgy?) is a stylish crime comedy with an
inventive, very funny plot.
COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN
(1982) by Robert Altman – 109 min. fiction -
USA
Director Robert Altman directs this elegant cinematic adaptation of
Ed Graczyk's Broadway play, which observes the interactions between
a group of women holding a 20-year reunion of their James Dean fan
club. Over the course of their get-together, the old friends expose
painful secrets and stunning revelations, all of which are
powerfully conveyed by a cast that includes Sandy Dennis, Karen
Black, Kathy Bates, and in her comeback performance, Cher.
CROOKED ARROWS
by Steve Rash – 105 min, fiction - USA
A Lacrosse movie produced, in part, by the Onondaga Nation. A
mixed-blood Native American, Joe Logan, eager to modernize his
reservation, must first prove himself to his father, the
traditionalist Tribal Chairman, by rediscovering his spirit. He is
tasked with coaching the reservation’s high school lacrosse team
that competes against the better equipped and better trained players
of the elite Prep School League.
Joe inspires the Native American boys and teaches them the true
meaning of tribal pride. Ignited by their heritage and believing in
their new found potential, coach and team climb an uphill battle to
the state championship finals against their privileged prep school
rivals…will
they win?
FIFTH HEAVEN
by Dina Zvi Riklis – 100min, fiction – Israel
In this beautifully made coming-of-age drama, a teenage orphan
struggles to adjust to a new life amidst other exiles in a
British-controlled Palestine. It’s 1944. Deserted by her parents
13-year-old Maya is deposited at an orphanage for Jewish girls on
the outskirts of Tel Aviv. The trauma of war shows in the faces of
the malnourished girls and lonely routines of their adult
supervisors who await liberation from personal and national
isolation. Smitten with Maya, the director of the orphanage conjures
memories of a tortured love affair while Maya develops forbidden
feelings for an anti-British resistance fighter who is the fiancé of
an orphanage worker.
FIVE EASY PIECES
(1970) by Bob Rafelson – 98 min, fiction – USA
The film stars
Jack Nicholson,
with
Karen Black,
Susan Anspach,
Ralph Waite,
and
Sally Struthers
in supporting roles.
The film tells the story of a surly oil rig worker, Bobby Dupea,
whose blue-collar existence belies his privileged youth as a
child prodigy.
When word reaches Bobby that his father is dying, he goes home to
see him, reluctantly bringing along his pregnant girlfriend, Rayette
(Black), a dimwitted waitress. The film was selected to be preserved
by the
Library of Congress
in the
National Film Registry
in 2000.
GIRL$
by Kenneth Bi – 105min, fiction – Hong Kong
In this very controversial film four girls - tempted by the money
that can be earned in prostitution - meet men on 'paid dates' in
Hong Kong and enjoy the rewards to the fullest. However, after
awhile, each of them will learn that nothing comes without a price.
A very stylish film that deals with a serious social problem under
the veneer of sexual exploitation.
GIRLFRIEND
by Justin Lerner – 94min, fiction – USA
The film depicts the evolution of a friendship between a young man
with Down’s Syndrome and a single mother in a small town in
Massachusetts (Wayland). Lerner cast a former high school classmate,
Evan Sneider, who actually has Down’s for the part. When Evan’s
mother dies, she leaves him an inheritance in the form of cash in a
box. Evan tries to help his neighbor, a single mom, Candy, by
dumping cash gifts in her home. But Candy’s problems are
bigger than what Evan can comprehend. They include an
unforgiving landlord, and a very jealous ex-boyfriend Russ, who then
tries to manipulate Evan.
GOLD RUSH
(1925)
by Charlie Chaplin – 95min, fiction – USA
Screened with an original score, commissioned by the Festival, by
Italian composer Gian Luca Baldi and performed by members of the
Society For New Music. Mr. Baldi will be present for a Q&A after the
performance.
The Tramp
(Charlie
Chaplin)
travels to the
Yukon
to take part in the
Klondike Gold Rush.
Bad weather strands him in a remote cabin with a prospector who has
found a large gold deposit and an escaped criminal, after which they
part ways, with the prospector and the fugitive fighting over the
prospector's claim, ending with the prospector receiving a blow to
the head and the fugitive falling off a cliff to his death. The
Tramp eventually finds himself in a gold rush town and takes a job
looking after another prospector's cabin. He falls in love with a
lonely saloon girl, Georgia, who he mistakenly thinks has fallen in
love with him. He soon finds himself waylaid by the prospector he
met earlier, who has developed amnesia and needs the Tramp to help
him find his claim. When we next see them they are on a steamer, two
wealthy men headed for home. By chance, Georgia is also on the
steamer and she and The Tramp plan
to marry.
HELLBOY
(2004) by Guillermo del Toro – 122min, fiction -USA
Brought forth by the Nazis during a sacred ritual towards the end of
World War II. Our hero was summoned by accident when the evil monk
of Russian history/folklore, Grigori Rasputin was meddling with
forces that lead to his undoing. With the twisted and evil monster
trapped for another sixty years when things don't go as planned (US
soldiers heroically intervened). Hellboy is raised by Prof. Trevor
"Broom" Bruttenholm, an expert in the occult. Our demonic hero is
initiated in to the Bureau of paranormal research were he joins the
amphibious, kind hearted, and clever fellow "Freak", Abe Sapien.
When Rasputin returns once again with the aid of his minions the
maniacal, undead assassin Kroenen and the monk's faithful lover
Ilsa. Hellboy must unwillingly pair up with John Myers, an
idealistic, naive new agent of the Bureau. Not only that but the big
hunk of an evil basher becomes entangled in a love triangle with the
pyro-telekinetic love of his life Liz and his new comrade. Fighting
evil couldn't prove more difficult or out there. Written by
robert-filmfan(robert@mcelwaines.fsnet.co.uk)
HOLD ON YOUR HAND
by Huayu Xu – 90min, fiction – China
Syracuse University MFA alum returns with his second feature film.
The story centers on a photographer trying to reconcile his urban
popularity with his true desire for artistic freedom. Circumstances
bring him to a small village in which he encounters the beauty of
the Chinese landscape and the care of an innocent woman. A poetic,
beautifully shot work that exits in both a mythic and mundane world.
INTO PARADISO
by Paola Raudi – 100min, fiction – Italy
Alfonso is a Neapolitan scientist, shy and awkward, who has just
lost his job. Gayan is a charming former Sri Lankan cricketer who
has not a penny has just arrived in Naples and is convinced of
finding heaven. Alfonso has spent a lifetime studying cell migration
and watching soap operas with his mother. Gayan has traveled, knew
fame, glory and money. What connects these two men? In a multiethnic
Naples, intertwined destinies of Alfonso and Gayan, meet to share a
shack erected illegally on a roof of a building in the heart of the
Sri Lankan city. A comedy.
IRVINE WELSH’S ECSTACY
by Rob Heydon – 99min, fiction - Canada
Frustrated with her boring middle class and loveless marriage,
Heather Thompson seeks a change. When she meets happily-partying
Lloyd Buist, a drug addict, she falls hard for him despite the fact
that most of there is spent under the influence of drugs. As they
experiment with this new lifestyle, they are faced with the question
of whether they love their drugs, each other, or are just drugged
into loving each other. When Lloyd almost dies after a drug
smuggling operation goes terribly wrong and faces the possibility of
losing Heather, he decides to turn his life around, and he finds
that natural highs might be the best of all.
LOSING CONTROL
by Valerie Weiss – 90min, fiction – USA
This is a quirky, totally entertaining romantic comedy. Samantha, a
sweet and neurotic Jewish Harvard biochemist working on her Ph.D.,
has discovered the Y-kill protein. Four years after her discovery
she finds herself under pressure to replicate her results. Outside
the lab, Samantha's frustrated as well. Her boyfriend of five years,
Ben, proposes, but Samantha rejects him, and sets out—on a series of
dating mishaps—to find proof whether he's Mr. Right. She uses the
only tools she knows, science.
MARIA MY LOVE
(2011) by Jasmine McGlade Chazelle – 99min, fiction – USA
A young woman named Ana is struggling to deal with her mother's
death and her father's mistakes. In an effort to feel better, she
reconnects with her half-sister Grace, (Lauren Fales) and, inspired
by a new boyfriend (Brian Rieger), sets out on a quest to find
someone to help. Though excited and hopeful when she meets an
eccentric woman named Maria (Karen Black), she soon discovers Maria
is a compulsive hoarder, and is swept up in a situation more
emotionally and morally complicated than she had expected to find.
Inspired by a true story.
PAVILION
by Tim Sutton – 68min, fiction – USA
Syracuse’s own Tim Sutton’s highly acclaimed film is about Max, a
young teenager who leaves his lakeside town to live with his father
on the fringe of suburban Arizona. The film creates a deep and
ethereal world, showing us an innocent way of life coming apart at
the seams, constructing an indelible image of the enigma of youth.
One of ten films selected for IFP's 2011 Narrative Lab and by the
Film Society of Lincoln Center’s 2011 Emerging Visions Workshop.
PRINCESS
by
Arto Halonen – 100 min, fiction – Finland
Inventive, funny, beautifully acted and ultimately heart warming
Princess is based on real-life events and a real person. Cabaret
dancer Anna Lappalainen, drifting from one foster home to another,
ends up in psychiatric care and soon the hospital staff and her
fellow patients see that she’s suffering from severe delusions. She
claims to be “Princess”, a member of the English royal family from
Buckingham Palace. Although Princess herself numbers among the
patients, helping others becomes her life mission.
REGARDS (WATCHING)
by
Paolo Zagaglia – 80 min. fiction – Belgium
This is an extraordinarily beautiful and narratively unique film.
The script, acting and cinematography are noteworthy. The setting is
a café that serves as a regular meeting place for many individuals
and couples each with their own story imagined and told by an old
man who in turn is observed by Arlette, a woman in a wheelchair and
sister of the café owner, who is in love with him. And, for the old
man this is not an afternoon like any other.
REST AREA (AREA DE DESCANO)
by
Michael Aguilo – 97min, fiction
– Spain
A story in the press inspired the filmmaker Michael Aguiló to shoot
his first film as director.
Cosmos, a 55year-old Polish coach driver is driving tourists to
Spain. The coach breaks down. He parks in a rest area. The
passengers are picked up by another coach leaving Cosmos to stay
alone with his broken bus, with no light, no water and no food.
Awaiting a spare part, he stays for two weeks, surviving thanks to
the generosity of a few travelers. A
very interesting story beautifully acted.
RISTABBANNA
(FAST FORWARD)
by Cardillo & De Plano – 85min, fiction – Italy
Natale's niece, Rosina, left many years before for the States to
become an actress. To see her again, Natale decides to shoot little
movies. But a clumsy burglar, Salvo, steals her camera. Salvo's son,
Nicolo, brings it back to Natale and finds a kind of grandfather,
who changes the life of the family, lending Salvo a boat. At
Natale's funeral, Rosina shows up. She's intending to sell the house
and the boat and leave. But she finds out Natale knew the truth
about her life in America. Nicolo's family is shocked by jealousy
and fear of losing the boat that living an honest life just
achieved. Rosina faces her past. Inventive plot structure and
excellent acting mark this intriguing film.
STROKE
(2000) by Rob Nilsson – 95min, fiction – USA
Phil Berkowitz is a 55 year old North Beach poet and survivor of the
days of wine and roses, has a stroke. Helpless, he lies in his flea
bag hotel room in San Francisco’s Tenderloin until he is found by
Jonny,, his neighbor, a 60 year old Black man. Jonny barely survives
working par-time janitorial in a seedy strip club and escort service
run by St. Tre and Malafide, now operating under the name Modisco.
Breaking hotel rules Jonny lets Phil stay in his room and tries to
help him regain his speech. He also plays cupid, introducing Phil to
Svetlana, Polish, 35, a waitress, ex-model and recovering alcoholic.
She feels sorry for Phil but he mistakes kindness for affection. Ron
Perlman appears in a cameo.
THE LAST WINTER
(2006)
by Larry Fessenden – 101min, fiction - USA
The American oil company KIC Corporation is building an ice road to
explore the remote Northern Arctic National Wildlife Refuge seeking
energy independence. Independent environmentalists work together in
a drilling base headed by the tough Ed Pollack in a sort of
agreement with the government, approving procedures and sending
reports of the operation. When one insane team member is found dead
naked on the snow, the environmentalist James Hoffman suspects that
sour gases may have been accidentally released in the spot provoking
hallucinations and insanity in the group. After a second fatal
incident, he convinces Ed to travel with the team to a hospital for
examination. However, weird events happen trapping the group in the
base. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
THE MAIDEN DANCED TO DEATH
by Endre Hules – 100min, fiction – Hungary
Beautifully made, totally entertaining. Steve, a
dancer-turned-empresario, returns from Canada to his native Hungary
after 20 years. Though the Communist regime that expelled him is
gone, his brother, Gyula, hasn't changed. He still works with the
same dance company they started together, and is married to Steve's
former sweetheart, Mari.
The
two men's rivalry is triggered instantly, but Mari challenges them
to revive their last success together, a dance on the ballad "The
Maiden Danced to Death". The film seamlessly combines dramatic
scenes with dance and music, allowing the dance to reveal long-held
secrets and emotions.
SHORT FICTION
A DAY
by Jae Bin Han – 25min, fiction – Korea
A grandmother travels through 90 years of her life in one day. She
meets herself in a series of encounters until she first meets the
man who will become her husband. She shares with him what will be
his last day.
A GOOD THING
by
Mark Tobey – 22min, fiction – USA
Film Festival Honorary Board Chair and 2011 Sophia Award for
Lifelong Achievement honoree, Tom Bower stars as the owner of a
rural gas station where he and his wife
struggle to maintain their faith as the fear of an elusive killer
sweeps the region of their lonely desert outpost.
A PLACE TO GO
by Wajdi Elian - 17min, fiction. – Lebanon
"Ziad is a solitary character living a surgically organized
unadventurous routine existence in the city. One day, his rhythm is
disrupted by a series of tiny accidents that bring a peculiar street
cat to share his home, for better or for worse…" A fascinating
narrative that is beautifully shot.
A WONDERFUL DAY
by Yosi Meiri & Ariel Weisbrod - 24min, fiction – Israel
A Holocaust survivor tries to prevent her grandson from going to
Germany by setting up a call girl to become his love interest. Great
acting and an interesting story make this at times very funny and at
times heart rending.
AN INSIGNIFICANT MAN
by Shawn Alex Thompson – 10min, fiction – Canada
A simple street sweeper goes unnoticed by the people around him, but
things aren't always what they seem.
BABYLON FAST FOOD
by Alessandro Valori – 14min, fiction – Italy
An unexpected plot develops between an African man and Italian
elderly woman. He cooks outdoors, she in her kitchen. After implied
tension she invites him in for dinner. Well acted.
BEAST
by Attila Tell – 20 min, fiction – Hungary
A man reports a missing dog to police. In a rural setting the
family’s father enslaves a poor man. He treats him like a dog. The
daughter gets knocked up by boyfriend and wants to move in with him.
Believing the slave is responsible for his family’s woes the
husband/father beats him to death. A
very powerful film.
CARPENTER EXPECTING A SON
by
Narina Malyan – 20min, fiction – Armenia
Set in the distant past a wife won’t have sex until her husband gets
a job. Living in squalor he leaves with spikes in his hands. His
three daughters look out the window. Soldiers march on street. A man
carries a cross. At night the husband comes home commenting that he
had a hard day at work. His
wife is not happy with his pay. His shirt is bloodied.
DREAM
(KHWAAB)
by Anadi Athaley – 10min, experimental/fiction – India
A Kashmiri woman is waiting for her husband from across the border.
The day comes when he finally arrives. She welcomes him. But her
contentment will not last for long. Poetic, with wonderful
cinematography.
FALLING LEAVES
(1912)
by Alice Guy – 12 min, fiction – USA
This is one of the first films of America’s first woman director.
Dr. Earl Headley is eagerly demonstrating what seems to be a
miraculous cure for tuberculosis. Not far from where he is working,
the disease seems ready to claim another life, a young woman named
Winifred. Winifred's mother and younger sister Trixie are
devastated. When Trixie hears the family doctor say of Winifred that
"when the last leaf falls, she will have passed away", she
interprets the doctor's words literally and seeks to do everything
possible to save her sister.
FINALE
by Balazs Simonyi – 8min, fiction – Hungary
A clever, single shot film, that begins with a couple in a car. The
woman gets out to go into a restaurant to sell flowers. A fly on the
bar is killed. Two men hear operatic music. They pass a woman as the
camera follows her to the orchestra pit while opera takes place on
stage. The two men are percussionists and make the film’s final
musical sound.
HOMECOMING
by
Gursimran Sandhu – 26min, fiction –USA/India
When 12 year old Nina Patel is nominated by her classmates to
represent her seventh grade class at Homecoming, she’s thrilled.
However, Nina’s Indian heritage comes with pride and restrictions,
and her traditional parents refuse to let their daughter assimilate
into such an American tradition. Beautifully made, powerful, and
very well acted.
HOT STUFF
(1912) by Mack Sennett – 8 min, fiction – USA
This is one of several dozen short comedies Sennett directed for
Biograph before we went to Keystone to work on his own. He directs
and stars in a film about a jilted lover.
IL SETTIMO
by
Luska Khalapvan – 10min, fiction – France/Armenia
A woman gets off the Metro and is immediately chased by man in a
chicken suit. She is going to a restaurant to meet a blind date, her
cousin, but another fakes it’s him. When the real cousin shows up he
mistakes another woman for her. Very clever.
IN FONDO A DESTRY
by
Valerio Groppa – 15min, fiction – Italy
Piano music hints at comedy. A vacuum cleaner salesman develops a
relationship with an elderly male customer. It turns out the man
buys from all door to door salesmen and uses their visits as the way
he socialize. Funny and poignant.
INFINITE MINUTES
by Cecilia Felmeri – 19min, fiction
– Hungary (1)
A man traces a snake on dead man’s body. A man has a mermaid on his
stomach. One is a doctor the other a surgeon. They talk repeating
lines from respective points of view. It's a fractured time
structure where all story lines are set off in time though
fictionally happening at the same time.
KAISER KANER CONDUCTOR
by
Viktor Portel – 13min, fiction – Czech Republic
A drunk pianist and conductor, are they the same person? Both play
piano, are alcoholic. The drunk calls the other “master.” Is this a
case of, a split-personality. Inventive and very well shot.
MAX AND HIS BROTHER-IN-LAW
(1912) by Max Linder – 8min, fiction – France
Max and his young bride attempt to enjoy an Alpine honeymoon despite
the presence of her mother.
ME TOO
by
Lilat Movsisyan – 20min, fiction – Armenia
Great cinematography. Extraordinary film. An image of a strong but
distressed character, fighting against his fears, love, hope and
pain in a psychological hospital. Sounds of incredible music, played
by a girl with no musical instrument, come to his ear making him
much more helpless. Is he really insane?
MATAR AUN NINO
(THE CHILD WILL DIE)
by Esteban Alenda – 8min, fiction – Spain
Told from the point of view of a child now an adult. Its 10am and a
happy child is going to die. The
Boy dreams of fishing with his father. Car crash kills the driver
not the boy. Inventive and well written.
MUERTON Y VIVIENTES
by Darmul Love – 17min, fiction – Spain
A funny Zombi movie in which a bereaving woman kills zombies so she
can get to her husbands grave and digs him out. Once free the two
drive off, forever together.
PRODIGY
by Lisa Ford – 9 min, fiction – USA
A young girl struggles with her violin lessons. Recognizing she is
letting down her teacher and her mother she imagines that suddenly
she has become a prodigy.
ROOM
by
Fernando Franco – 18min, fiction – Spain
Ana is on her computer, chatting. She smokes, drinks, strips to bra
and panties. Guys on line go crazy. There is heavy breathing of a
male voice but the sounds seem to contradict the image. Ana leaves
her room. When she returns her death is watched on web cam.
An interesting statement about on-line relationships.
STITCHES
by Adiya Imri Orr – 8min, fiction – Israel
Amit and her female life partner Noa decide to take a crucial step
and have a baby. Despite their strong self-confidences, neither one
of them knows for certain what they will do next. The night after
Noa gives birth they both discover that certain things cannot be
hidden.
THE FASTEST MATTHEW IN THE WORLD
(NEJRY CHEJSI MATEJ NA SUETE)
by Tomas Pavlicek – 21min, fiction – Czech Republic
A man is always in a hurry, forgets things, and gets lost driving to
his own birthday party that his girlfriend has arranged at a
restaurant. His adventure forces him to confront his childhood and
his phobia. Funny and interestingly told.
THE GIRL AND HER TRUST
(1912) by D.W. Griffith – 16min, fiction – USA
Some tramps assault the telegraph office trying to rob $2000
delivered by train. The telegraphist girl, trying to help,
telegraphs the next station and then the men are captured. Extreme
close-ups, long shots and multiple story lines are part of filmdom’s
earliest sophisticated works.
THE HEART OF MONEY
(1912) by Louis Feuillade and Leonce Perret -
17min, fiction – France
An innkeeper’s daughter is in love but her mother has already
decided that she is going to be married to another man. This early
use of split screen makes for an impressive viewing.
THEY SAY
by
Alauda Ruiz De Azua – 16min, fiction –
Spain
About bullying. An unpopular teenage girl and boy. She shares her
secret with other girls in the hope of being accepted but they turn
on her. In the end he
dies. Well shot and acted.
TINA FOR PRESIDENT
by Carmen Emmi – 13min, fiction – USA
A film about bullying made by Syracuse native, Carmen Emmi. A middle
school girl challenges the class big shot.
DOCUMENTARY
A PAKHTUN MEMORY
by Tentative Collective – 14min, documentary – Pakistan
This project by the Tentative Collective used Pakhtun folk music and
memory to temporarily privilege a subaltern population in Karachi,
Pakistan, allowing it to own a contentious public space. The ensuing
series of events were unexpected and exciting!
A diverse group of Iraqi performing arts students unite through hip
hop, jazz, orchestra, and Broadway at an American arts academy in
Iraqi Kurdistan. Arabs and Kurds, Christians and Muslims, Americans
and Iraqis, everyone must work together to prepare for the big show.
Along the way, cultures collide, egos clash, dreams come true, and
the viewer is offered a candid and revealing look at the troubles
and triumphs of this life-changing event. Written by Ryan
White
DISLECKSIA: THE MOVIE
by Harvey Hubbell – 85min, documentary – USA
Harvey Hubbell V and crew explore Hubbell's own experiences about
growing up as a dyslexic while also looking into the latest
scientific research and educational developments regarding the
condition. They examine how the education system in the US handles
students with learning disabilities, and explore ways in which this
treatment can be changed to improve the social status of dyslexics.
And along the way, they meet a variety of dyslexics from very
different backgrounds who share their experiences and demonstrate
that dyslexics are not disabled - just different.
HERE I LEARNED TO LOVE
by Avi Angel -54min, documentary – Israel
Brothers Avner and Itzik live in Israel. As toddlers, their lives
were saved first by their aunt, later by another young woman. Their
past included three women who would become their mothers. But all
this remained hidden -- even from close family and friends. Now, at
the age of 70, Avner decides to take his brother Itzik on a journey
in search of their true identity, in an attempt to piece together
this incredible story of their survival and most important to deeply
connect with the pain and loss of their three mothers.
I AM NOT A ROCK STAR
by Bobbi Jo Hart – 86min,doc – Canada
An absolutely outstanding documentary that follows
the story of 20-year-old Marika Bournaki, who embarks on a journey
to become a world-class concert pianist, a dream she has had ever
since her father first encouraged her to start playing the piano at
the age of five. Shot in cinéma vérité style over eight years, the
film begins when Marika is 12 years old and commuting every Saturday
from Montreal to attend Juilliard’s prestigious Pre-College Program
in New York. She moves on her own to New York City at age 14, and
starts auditions and performances around the world. The effects of
this lifelong sacrifice of her parents to turn Marika into a star
begin to reveal themselves, while within the walls of Juilliard she
finds a kindred soul and her first love. The film ultimately reveals
the gritty realities of making it in the cutthroat classical music
world, but also how Marika matures to eventually question her path,
appropriating her musical passion to make it her own.
OC87
by
Glenn Holstein/Scott Johnston/Bud Clayman – 90min, documentary – USA
Director Bud Clayman documents his struggle with OCD and Asperger's
Syndrome and how it
derailed his plan to become a filmmaker.
OC87,
named for the year Clayman experienced his initial breakdown (and
the shorthand he uses to describe his altered state of mind), is one
man's attempt to exorcise his demons. But it's not a singular
vision. Clayman has difficulty making decisions, and so shares
director's credit with psychologist Scott Johnston and documentarian
Glenn Holsten, who keep the camera focused on Clayman. They
alternate interview segments with inventive scripted sequences, the
latter re-creating the internal debates Clayman has when confronted
with basic social situations like buses and restaurants.
ONE DAY AFTER PEACE
by Miri Laufer – 86min, documentary – Israel
Can the means used to resolve the conflict in South Africa be
applied to the Palestinian-Israeli conflict? As someone who
experienced both conflicts firsthand,
Robi Damelin
wonders about this. Born in South Africa during the apartheid era,
she later lost her son, who was serving with the Israeli Army
reserve in the Occupied Territories. At first she attempted to
initiate a dialogue with the Palestinian who killed her child. When
her overtures were rejected, she embarked on a journey back to South
Africa to learn more about the country's Truth and Reconciliation
Committee's efforts in overcoming years of enmity. Robi's
thought-provoking journey leads from a place of deep personal pain
to a belief that a better future is possible.
OUTSIDERS IN ISRAEL
by Juliano Mer Khamis/Ran Tal/Tomer Heyman – 90min, documentary -
Israel
A film project created by Jewish and Arab teenagers from Israel's
outskirts, in collaboration with directors Juliano Mer-Khamis
("Arna's Children"), Ran Tal ("Children of The Sun") and Tomer
Heymann ("Paper Dolls", "I Shot My Love", "The Queen Has No Crown").
The teenage directors from Israel's 'twilight zones', whose voice is
rarely heard, got cameras and the guidance they needed in order to
film their communities, their families and themselves. The goal of
the project was to supply them with tools and faith in the power of
the 'story' - a first-hand, personal and intimate story - and for
them to stop serving as an object of others' films and reports and
to gain some control over their own image. The themes they chose
provide a glimpse of what it feels like to be an outsider in Israel.
Powerful, insightful, and original.
TAKING A CHANCE ON GOD
by Brendan Fay – 55min, documentary – USA
Former Le Moyne College professor of philosophy, a POW in Nazi
Germany, Vietnam peace promoter, leading gay rights advocate and
partner of 46 years to Charles Chiarelli, the film follows the life
of 86-year-old Jesuit priest John McNeill, telling his story of
faith, love and perseverance in the face of oppression and
rejection. McNeill, the co-founder of the LGBT Catholic group
Dignity NY, author of the revolutionary “The Church and the
Homosexual,” and leader in the gay community during the AIDS crisis
of the 1980s, has refused to let his voice be silenced despite being
expelled from the Jesuits after forty years of faithful service.
RECORD PARADISE
by Michael Streissguth – 53min, documentary - USA
Record Paradise rolls with Joe Lee, black sheep of a blue-blood
Maryland family, owner of one of the nation's most successful record
stores, and an irreverent musical impresario. Leading an unruly
parade of musicians, collectors, and disc jockeys, Joe has sold
records to generations and produced, booked and managed some of
Washington D.C.'s most beloved blues and rock acts, including the
tragically zany Root Boy Slim. Opinionated, brash, and unabashedly
entertaining, Joe Lee is a movie unto himself. Record Paradise is
the next best thing. From the writer and co-producer of the
award-winning Johnny Cash at Folsom Prison, Record Paradise features
the music of Root Boy Slim, The Nighthawks, and The Lost Boys.
RICKY ON LEACOCK
by Jane Weiner – 90min, documentary – USA
A 38-year journey that I began in 1972 as a young filmmaker and,
shooting off and throughout many years, I filmed many and various
encounters between Ricky, his friends and contemporaries including
Henri Langlois, Jean Rouch, Jean-Luc Godard, DA Pennebaker, Robert
Drew, and others. Mixing my own footage with film clips and rare
images from Leacock's personal film archives, this film pays homage
to my mentor and, most importantly, allows him to tell us the story
of his long film making career in his own words. Written
by
Jane Weiner
THE GAME OF LIFE: HEART AND SPIRIT OF THE ONONDAGA
by Stu Lisson – 14min, documentary - USA
The film explores the cultural and spiritual significance of the
sport of Lacrosse to the people of the Onondaga Nation. Called the
“Creator’s Game” by the Onondagas, Lacrosse has its origins deep
within the customs and beliefs of The Six Nations people. Interviews
with players, tribal leaders and coaches help tell the story of the
sport that has grown to span the world. The Onondaga Nation’s
involvement with feature film “Crooked Arrows” is also covered as
well as its unique connection with Syracuse University through the
Haudenosaunee Promise program.
UNFIT: WARD VS. WARD
by Edwin Scharlau & Katie Carmichael –
75min,doc - USA
In 1995 in Pensacola, Florida, Mary Ward lost custody of her 11 year
old daughter, Cassey, to her ex-husband, John Ward, solely based on
her sexual orientation. John, a convicted murderer and alleged child
molester, was deemed a better parent by the court system that said
the child deserved to be raised in a non lesbian world even though
the courts own appointed social worker testified in defense of the
mother. An appeal court upheld the decision in 1996. Mary Ward died
of a heart attack in January of 1997 while awaiting the outcome of
her second appeal. In 2002, Cassey, then 18 and an adult, came
forward in defense of lesbian mothers everywhere.
WAR’S DAUGHTER
by Lana Hijazi - 9min,
documentary – Gaza/USA
A powerful look at the consequences of chemical warfare on innocent
children, and one child in particular, now a young woman
WHAT HAPPENED HERE
by Rob Nilsson – 94min, documentary – USA
This is not a standard documentary. It’s a documentary “road movie”
seeking a real place, the site of Leon Trotsky’s birth and home
town, a secret to most of the world today due to Stalin’s attempt to
erase him from Soviet history.
But we found that the farmers who live in a tiny area around
Bobrinetz, a small town 40 miles south of Kirovograd, Ukraine know
him as Lev Davidovich Bronstein, father of Davyd Bronstein, a middle
level farmer and landowner.
Their opinions of him, the Russian Revolution, the Holodomor
and the 1941 Nazi pogroms are featured in the film. It’s a movie
made to speculate about Trotsky the man, the writer, the political
activist. Its
antecedents are essay films by directors such as Jean Luc Godard and
Chris Marker where opinion, history and combinations of both point
out the subjective nature of perception.
WHO SHOT MY FATHER
by Liora Amir Barmatz – 73min, documentary
– Israel
Three daughters, one big secret and many unsolved issues. This film
follows the courageous attempts of these women to uncover the dark
secret behind the murder of their father, Israeli Air Force Attaché
Colonel Joe Alon. An investigative report that has personal and
national dimensions, the film applies to a story that occurred in
1973 that continues to be problematic. The film documents the
riveting life of Colonel Alon, and includes interviews with FBI
agents, Mossad chiefs, a former American Air Force Chief Commander
and other key personnel. A story of intrigue and personal anguish.
300 MILES TO FREEDOM
by Richard Breyer and Anand Kamalakar– 40min, documentary – USA
This totally engaging film tells the story of John W. Jones, a
fugitive slave who escaped bondage in Leesburg, Va., in 1844 and
traveled the Underground Railroad to Elmira, N.Y. Arriving as a
27-year-old illiterate with $1.46 in his pocket, by his death in
1900 he was a respected, wealthy member of society.
BODY MEMORY (KEHA MALU)
by Ulo Pikkov – 10min - Estonia
Our body remembers more than we expect and imagine. Our body
remembers and bears the sorrow and pain of our ancestors. Powerful,
inventive, a major award winner.
CAR CRASH OPERA
by Skip Battaglia – 8min – USA
An all singing short animated cartoon, constructed as an homage to
that paragon of American cinematic art form staples -- the car crash
film. But this is sung as an opera, with seven characters, graphic
and musical flourishes, poignant interludes, orchestration, and
sound effects. Strong and beautifully drawn
CITY
by Kim Ye-Young and Kim Young-geun – 5min – Korea
Computer generated animation. Seoul is
full of skyscrapers and asphalt amid pollution and noise. But what
it is essentially is its people. Imagine the city without walls and
roofs, free from its shell able to breathe and feel the warmth.
Very creative.
ESO TE PASA POR BARROCO
by Pablo Serrano – 4min – Spain
Claymation in which a chicken gets to dine on a human. Very funny.
HOW A MOSQUITO OPERATES
(1912) by Winsor McCay – 6min – USA
A hungry mosquito spots and follows a man on his way home. The
mosquito slips into the room where the man is sleeping, and gets
ready for a meal. His first attempts startle the man and wake him
up, but the mosquito is very persistent.
MARY AND MAX
by Adam Elliott – 92min, animation – Australia
This is an extraordinary Claymation.
The two main characters are, Mary, a poor, unloved little girl from
Australia and, Max, a heavyset middle-aged New Yorker with
Asperger's syndrome. They become penpals after Mary's random
encounter with a telephone directory, and their exchange of letters
swiftly emerges as the emotional lifeline for their unhappy
existences. Mary is taunted by the children at her school for the
birthmark on her forehead. Her only friend is the man for whom Mary
collects mail, a WW11 veteran who lost his legs in combat and has
developed agoraphobia. Expect to be entertained and emotionally
moved by this masterpiece.
SPRITE (KLICENI)
by Martina Vybiralova – 5min - Czech Republic
Drawn animation. A girl is trapped in a birdcage kept by a wolf man.
She escapes, sends butterfly to him and teases him with the cage
key. The key becomes a bird and flies to the girl. The wolf becomes
a prince.
THE BOY IN THE BUBBLE
by Kealan O’Rourke – 8min – Ireland
Rupert, a ten year old boy falls hopelessly in love. When it all
goes terribly wrong he wishes never again to experience heartache.
Turning to a book of magic he invokes a spell to forever shield him
from emotion.
THE OLD MAN and the OLD WOMAN
by
Basia Goszczynska – 9min – USA
Two soul mates struggle with opposing fears of death and loneliness
in this short dark comedy.
THE REVENGE OF A KINEMATOGRAPH CAMERAMAN
(1912) by Wladyslaw Starewicz
12min – Poland/Russia
A jilted husband takes revenge by filming his wife and her lover and
showing the result at the local cinema. This is one of Starewicz’s
first animations and stars animated beetles.
THE THING IN THE CORNER
by Zoe Berriatua –
10min – Spain
A writer who can’t write because there is a thing in the corner of
his room. Is he crazy or is it real? He meets a drunk who can see
it. He learns to live with it.
TICKET
by Frenc Rofusy – 10min – Hungary
Rotoscoping is the primary technique used to explore the physical
and psychological journey of a man, through life, from birth to
death from his point of view. Powerful.
TRIP (PYTUVANE)
by Radostina Neykova – 8min – Bulgaria
A man and a woman are moving towards one another on a train. During
the trip they meet and part with different people in different
places and at different times until they finally find each other.
Very inventive
TWINKLING
by Oh Jimon – 7min – Korea
A man listens to his car radio. He’s underwater. It's a toy car
surrounded by monsters
He’s in a glass globe. A large hand belongs to a sleeping girl. Girl
is in car with him. She tells him they are through and he drowns in
tears.
EXPERIMENTAL
APOSIOPESIS
by Jagoda Szelc, 6min, experimental/fiction – Poland
Outstanding cinematography and art design mark this short gem about
“aposiopesis” a term for an unfinished thought or broken sentence,
in this case explored through the movements of a woman in solitude.
JUST TWO STEPS
by Too Avd Kaprealian – 5min, experimental/fiction – Syria
An old
man walks on streets in a Syrian city. His feet shuffle, his age
showing, a metaphor for an old dysfunctional society,
LA MARCHE DE L’ESCAROT
by Mario Damian Funes – 4min, experimental – Argentina
We all want to live with dignity but not everyone respects the
rights of others to live as they choose.
MARROW
by Wasim Alsyed – 15min, experimental/fiction – Syria
There is a couple in bed, no dialogue, only music. They fight with
one another. There are frogs in a jar. The man drinks coke and
spills it on the woman. We are primed for violence. This is a
beautifully shot and totally bizarre film, symbolically structured
to deal with a destructive environment.
MOZG (BRAIN)
by Andrey Silvestrov – 64min, experimental – Russia
The film takes place simultaneously in two realms. The first is the
contemporary city of Moscow. Random passers by stop in front of the
camera and talk about themselves or about the issues that bother
them. These documentary scenes are interchanged with scenes
involving professional actors in order to emphasize the absurdity of
the whole action. The second realm is the 3D fantasy. We witness the
grand battles of the greatest minds and poets of all times – such as
Dostoevsky, Goethe, Anatole France, Yukio Mishima and Alexander
Block - who are fighting against the Collective Unconscious.
This
film attempts to give a critical account of the social and political
processes which take place in Russia today.
PAPER MEMORIES
by Theo Putzu – 8min – Spain
An old man searches for happiness in old photos. His world is
divided into multiple realities. The film combines live action with
animation. Interesting combination of live action and animation
SOLO PIANO
by Anthony Sherin – 5min,
experimental/fiction – USA
A piano sitting on the sidewalk in NY is seen from an apartment
window two or three floors up as still images show people playing it
and otherwise interacting with it until finally a group of people
break it apart.
SON OF A RAILWAY MAN
by Assaf Tager – 26min, documentary/fiction – Zambia/Israel
Casapo, the son of a locomotive driver for the Zambian railway
company, is called back home following the news of his father’s
death. A poetic, beautifully filmed work that is evocative and
mysterious.